Cornelia Schleime. The Colour, the Body, the Face, the Eyes
24. March 2012 - 02. September 2012
Cornelia Schleime is among the most important painters of the present day. This is her first major ex-hibition in Switzerland. She was born in East Berlin in 1953 and settled in West Berlin in 1984 under dramatic circumstances.
She paints, draws and watercolors women almost exclusively. We will be showing works from the past 18 years. Cornelia Schleime not only has a phenomenal instinct for colors, but her figures likewise thrive from the eroticism of the line as well as a mythic interplay of human, animal and fowl: Antlers become antennas, braided hair become tentacles. But a mythologization nevertheless does not take place: in a series from 2010, for example, she characterized these links as “camouflages.”
Cornelia Schleime achieves something very special in her sometimes large-format pictures that exude a fascination which is almost impossible to evade: She understands how to generate the individual in an explosion of color, immerse the outline of a body into mirrorings of light and integrate actions into a self-reflective intimacy. Her characters are always specific characters, in expression as well as in ap-pearance and demeanor.
The exhibition was curated by Jean-Christophe Ammann and Anna Wesle. The catalogue is available for sale in the museum shops and in bookstores.
Veranstaltungen zur Ausstellung
- Künstlergespräch mit Cornelia Schleime: Sonntag, 8. Juli 2012, 11 Uhr
Franz Gertsch. The Four Seasons
24. March 2012 - 02. September 2012
In 2007, the then 77-year-old Franz Gertsch began working on a cycle devoted to the four seasons, well aware of the fact that he would probably need about one year for each painting. This great undertaking has now been successfully completed; in early 2011 the artist concluded his magisterial “Four Seasons” cycle with the painting “Frühling” [Spring]. We at the museum franz Gertsch are pleased to present this monumental work together with “Herbst” [Autumn] (2007/08), “Sommer” [Summer] (2008/2009) and “Winter” (2009) for the first time in a single room.
Franz Gertsch invested all his abilities, his energy and time into these paintings. As a starting point for «Herbst», the artist made use of an already existing photograph from 1994 showing the woods behind his house. For the photographs on which he would base the other works, Gertsch followed the changes of the seasons while already at work on the cycle: «Sommer» is the summer of 2007, «Winter» is the winter of 2008, and «Frühling» is the spring of 2009. These paintings, which can doubtlessly be seen as the magnum opus of his late work, were thus made over the course of the seasons of four different years.
The presentation of the four seasons in one room demonstrates how the paintings harmonize in terms of color. Franz Gertsch restricts himself to a limited palette, to a few self-made hues made of earth and mineral pigments among others. While looking at the paintings of the seasons, the color tonalities of the individual paintings interlink, certain tones are taken up again from one painting to the next. The interplay between subject, painting style and color scheme, between perception and effect occurring in each work is heightened even further in the interaction between the pictures.
